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In a parody of the fembots from The Bionic Woman, attractive, blonde fembots in alluring baby-doll nightgowns were used as a lure for the fictional agent Austin Powers in the movie Austin Powers: International Man of Mystery.
The film's sequels had cameo appearances of characters revealed as fembots.
The robot's creator, Clayton Bailey, a professor of art at California State University, Hayward called this "censorship" and "next to book burning." Artificial women have been a common trope in fiction and mythology since the writings of the ancient Greeks.
This has continued with modern fiction, particularly in the genre of science fiction.
Fiction about gynoids or female cyborgs reinforce essentialist ideas of femininity, according to Margret Grebowicz.
Such essentialist ideas may present as sexual or gender stereotypes.
The stereotypical role of wifedom has also been explored through use of gynoids.
In The Stepford Wives, husbands are shown as desiring to restrict the independence of their wives, and obedient and stereotypical spouses are preferred.
In this myth a female statue is sculpted that is so beautiful that the creator falls in love with it, and after praying to Venus, the goddess takes pity on him and converts the statue into a real woman, Galatea, with whom Pygmalion has children.Not only did the servo motor and platform have to be ‘interiorized’ (naizosuru), but the body [of the fembot] needed to be slender, both extremely difficult undertakings.Researchers have noted the connection between the design of feminine robots and roboticists' assumptions about gendered appearance and labor.It was called simply "36C", from her chest measurement, and had a 16-bit microprocessor and voice synthesiser that allowed primitive responses to speech and push button inputs.In 1983, a busty female robot named "Sweetheart" was removed from a display at the Lawrence Hall of Science after a petition was presented claiming it was insulting to women.